Blown glass pieces, with print inclusions was the last body of work I made. With my father being from Libya and my mother the UK, how was I viewed by other people? How I viewed the current conflict between the East/West became a focal theme for understanding my perceived identity. This was translated through a series of glass pieces that reflected and disrupted images of translated news articles.
I no longer make with glass. After Made in the Middle, I studied for an MA in Contemporary Curating at Manchester Metropolitan University. During my Masters, I concentrated on the categorization of craft in contemporary art collections.
I'm now Community and Education Programme Manager at the British Ceramics Biennial .
Working back in Stoke-on-Trent at the British Ceramics Biennial, after 6 years in Manchester, is important. I feel connected to this place and very concerned about the people the festival engages with.
Categorisation is still a concern of mine in my professional career. My thoughts about the categorisation of craft and the practices of craftspeople, compared to fine artists, plays a part in how I approach learning at the British Ceramics Biennial.
Hopefully, the engagement with process and material is increasing. The appreciation of the thought and time it takes to make work has a bigger presence. Hopefully, the maker is becoming more of a focus of attention and therefore craft is being better appreciated.
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