I spent nearly 25 years working with various metals hand-making parts for luxury cars. This is where I learned the majority of my metal working skills, particularly TIG welding. Since retraining as a silversmith, I couple traditional metalworking skills with new technology. Individual strips of silver are hand-formed before being joined to create sculptural objects. Contrasting smooth and jagged edges, creates surface decoration and light and shade, and shows the beauty of silver as a precious material.
My route to silversmithing has been influenced by the Midlands - in the sense of the industrial heritage and skills that existed here from the industrial revolution onwards. As an apprentice sheet metal worker I learnt skills that even at that time (mid eighties) were dying out. Some of the things I learnt in industry I found to be new and untested once I entered the world of silversmithing, via training at Birmingham School of Jewellery from 2007 until 2009.
Being able to have a workshop in the Jewellery Quarter means I have instant access to equipment and materials, also its good to meet other creative people who work in the Quarter.
In general more computer-aided software is being used to produce craft across all disciplines.
So many people don't realise how things are made - I think there is a fascination for people in the making process, revealing the techniques, tools and time it takes. I particularly enjoyed working with young people on the apprentice taster days organised as part of Made in the Middle 2012. I am interested in how making can help young people find focus and pursue something that provides a sense of achievement - the feeling that anything can be made.